Vocal: Raga-Based Song Private Lesson with Ms. Sanghamitra Chatterjee
22 Oct, 2025, 7:00PM (EDT)
Chhandayan Center for Indian Music
4 W 43rd St
New York, New York 10036
Note: After booking a lesson, you must schedule a lesson directly with the instructor. Sanghamitra ji's email id will be shared in the confirmation email.
Most, if not all, Indian songs are based on certain Ragas and Talas. These songs can be from the popular music, film music or regional and folk traditions. Laying the foundation with voice training, and scale exercises, Ms. Chatterjee teaches these songs with melodic and rhythmic accuracy adding the element of expression on top. Sanghamitra Chatterjee is a versatile singer of a wide variety of Indian songs from different genres. Her array of repertoire includes Bhajan, Ghazal, Dadra, film songs, Rabindra Sangeet (songs of Tagore), Adhunik (modern) Bengali songs, Nazrulgeeti and different types of folk and regional songs in different languages. She had her lessons in classical singing from Pdt. Usharanjan Mukherjee and Sri Dashu Mukherjee. In non-classical music her training has been under Jatileshwar Mukherjee, Ajoy Das, Prasanta Chowdhury, Nikhil Chatterjee and others. She is an upgraded artist of the national radio and television of India. Her proficiency in Tagore songs has earned her the Sangeet Sudhakar diploma. Sanghamitra's singing is characterized by high aesthetic quality and technical brilliance. Her sensible scanning of lyric with rendered with her original touches of embellishments, her highly sensitive and involved presentation not only brings out the inner essence of the songs she presents, but also adds a new dimension to their emotional contents. Her voice is gifted with a natural mellifluous quality which inevitably touches her audience. Much of her musical sensibilities have developed under the guidance and influence of her illustrious husband Samir Chatterjee, a musician of outstanding caliber and repute. Sanghamitra Chatterjee is not only known for her excellence as a solo performer, she has also contributed to several groups such as the Chhandayan ensemble in their productions of Indo-Flame and Nacho-Nacho (blend of Indian and Flamenco dance and music), Dawn to Dusk and Beyond and World Percussion Ensemble; with the Battery Dance Co. of NY in production of Songs of Tagore; with the Kathak Ensemble of NY in Ka-Tap (Kathak and Tap dancing), with Ethos Percussions in Masters of Indian Music series. She has performed in many important places and festivals in the United States such as the Smithsonian Institute, Columbia University, American Museum of Natural History in New York and Washington, DC, Symphony Space in NYC, Wortham Center in Houston, Lotus Music and Dance, Kansas University, Monadnock Festival in Peterborough, New Hampshire, Sun Valley in Idaho, University of South Florida in Tampa etc. Apart from her homeland India and the United States she has also performed in Sri Lanka, Poland, The Bahamas and Kazakhstan. She has presented master classes at Manhattan School of Music, Raritan Community College and also done several school performances in New York City. Her published recordings in CDs and cassettes are treasured by her audience. Her scholarly contribution includes music reviews to Indian news papers.
Most, if not all, Indian songs are based on certain Ragas and Talas. These songs can be from the popular music, film music or regional and folk traditions. Laying the foundation with voice training, and scale exercises, Ms. Chatterjee teaches these songs with melodic and rhythmic accuracy adding the element of expression on top. Sanghamitra Chatterjee is a versatile singer of a wide variety of Indian songs from different genres. Her array of repertoire includes Bhajan, Ghazal, Dadra, film songs, Rabindra Sangeet (songs of Tagore), Adhunik (modern) Bengali songs, Nazrulgeeti and different types of folk and regional songs in different languages. She had her lessons in classical singing from Pdt. Usharanjan Mukherjee and Sri Dashu Mukherjee. In non-classical music her training has been under Jatileshwar Mukherjee, Ajoy Das, Prasanta Chowdhury, Nikhil Chatterjee and others. She is an upgraded artist of the national radio and television of India. Her proficiency in Tagore songs has earned her the Sangeet Sudhakar diploma. Sanghamitra's singing is characterized by high aesthetic quality and technical brilliance. Her sensible scanning of lyric with rendered with her original touches of embellishments, her highly sensitive and involved presentation not only brings out the inner essence of the songs she presents, but also adds a new dimension to their emotional contents. Her voice is gifted with a natural mellifluous quality which inevitably touches her audience. Much of her musical sensibilities have developed under the guidance and influence of her illustrious husband Samir Chatterjee, a musician of outstanding caliber and repute. Sanghamitra Chatterjee is not only known for her excellence as a solo performer, she has also contributed to several groups such as the Chhandayan ensemble in their productions of Indo-Flame and Nacho-Nacho (blend of Indian and Flamenco dance and music), Dawn to Dusk and Beyond and World Percussion Ensemble; with the Battery Dance Co. of NY in production of Songs of Tagore; with the Kathak Ensemble of NY in Ka-Tap (Kathak and Tap dancing), with Ethos Percussions in Masters of Indian Music series. She has performed in many important places and festivals in the United States such as the Smithsonian Institute, Columbia University, American Museum of Natural History in New York and Washington, DC, Symphony Space in NYC, Wortham Center in Houston, Lotus Music and Dance, Kansas University, Monadnock Festival in Peterborough, New Hampshire, Sun Valley in Idaho, University of South Florida in Tampa etc. Apart from her homeland India and the United States she has also performed in Sri Lanka, Poland, The Bahamas and Kazakhstan. She has presented master classes at Manhattan School of Music, Raritan Community College and also done several school performances in New York City. Her published recordings in CDs and cassettes are treasured by her audience. Her scholarly contribution includes music reviews to Indian news papers.