63:T7bb,

This concert will feature a tabla solo by Jorge Ramiro.

Seating: On the floor with back jack support, on regular chairs and cushioned chairs.
Dress Code: Casual, comfortable, decent. Please take off your shoes before entering the performance space.
Food and beverage: Only water is allowed inside the performance space. Please bring your own supply.

Parking: 6-hour metered parking is allowed on both sides of the street from 6 pm to midnight on Monday through Friday and 8 am to midnight on Saturday. On Sundays, street parking is free. There are also parking garages around the block.
CCIM is wheelchair accessible.

Jorge Ramiro

Jorge Ramiro grew up in Mexico and moved to the U.S. at the age of 18. Ramiro holds a Bachelor of Arts in Music from the State University of New York. He has been studying tabla, pakhawaj and classical Indian music since the age of 12. Since 1998 he has been a disciple of Pandit Samir Chatterjee, one of India's most influential tabla players from the Farukhabad Gharana. Jorge has performed in classical Indian music concerts in India, the United States, Mexico, France, Australia and Hong Kong. Jorge has accompanied on stage Pandit Ramesh Misra, Pandit Samir Chatterjee, Steve Gorn, Saskia Rao, Manas Kumar, Ojas Adhya, George Brooks, Utsav Lal to name a few.

64:Te7d,

Samanvi Velagapudi - vocal,
Tanisha Srivatsa - violin,
Sabareesh Viswanathan - Mridangam,

Seating: On the floor with back jack support, on regular chairs and cushioned chairs.
Dress Code: Casual, comfortable, decent. Please take off your shoes before entering the performance space.
Food and beverage: Only water is allowed inside the performance space. Please bring your own supply.

CHHANDAYAN'S PROGRAMS ARE MADE POSSIBLE BY THE NEW YORK STATE COUNCIL ON THE ARTS WITH THE SUPPORT OF THE OFFICE OF THE GOVERNOR AND THE NEW YORK STATE LEGISLATURE.
And the following donors: N. Balasubramanium, Sanjeev Bala, Penny Brill, Anjan and Sheba Chatterjee, Erawati Bawle, Matteo Banerjee, Mandeep and Paresh Trivedi, Keyur Thakar, Jagat Mavani, Rajesh Abhyankar, and others.

Samanvi Velagapudi
Samanvi Velagapudi began her Carnatic musical training in the Dallas-Fort Worth area under Smt. Sarada Karthik, a disciple of Neyveli Santhanagopalan, with whom she studied for eight years. She later continued her training under Vijayshri Vittal for two years, and currently learns from Vidushi Smt. Kalavathy Avadhooth.

Samanvi has performed at venues and festivals across the United States, while remaining actively involved in fostering performance opportunities for other artists. During her time at the University of Texas at Austin, she sang with a Western a cappella ensemble and helped organize musical performances throughout the Austin area. Alongside her musical pursuits, Samanvi currently works as a consultant at EY-Parthenon in New York City.

Tanisha Srivatsa
Tanisha Srivatsa is a Carnatic vocalist and violinist based in New York City, NY. Currently, she is fortunate to be under the guidance of Vid. Charumathi Raghuraman, a senior disciple of Sangeetha Kalanidhi Sri T.N. Krishnan. Tanisha has appeared at several prestigious venues, including the Cathedral of St. John the Divine, Brooklyn Raga Massive's Ragini Festival, Bharatiya Vidya Bhavan, Chhandayan Center for Indian Music, Columbia University's Raaga Mela, the Center at West Park, Akanksha Foundation, the Consulate General of India, and the United Nations. She has also had the privilege of accompanying for several dance theater productions, including the Nadanam Collective's Rachana and Silambam Phoenix's Waves of Resistance. Tanisha is a recent graduate of Barnard College, Columbia University, where she studied economics, and currently works in finance.

Sabareesh Vishwanathan
Sabareesh Vishwanathan is a Mridangam artist who has been training under Guru A. R. Balaskandan for the past decade, learning in the Karaikudi Mani baani tradition. He has been a supportive accompanist on both Mridangam and Kanjira for Carnatic music and dance performances, collaborating with various emerging artists. Beyond traditional settings, Sabareesh is also interested in exploring the integration of Carnatic percussion within contemporary and Western musical styles. He holds a Bachelor’s degree in Computer Science and currently works as a Software Engineer in Education Technology.

65:T2a2c,

Chhandayan All-night Concert

Seating: On the floor with back jack support, on regular chairs and cushioned chairs.
Dress Code: Casual, comfortable, decent. Please take off your shoes before entering the performance space.
Food and beverage: Only water is allowed inside the performance space. Please bring your own supply.
Parking: 6-hour metered parking is allowed on both sides of the street from 6 pm to midnight on Monday through Friday and 8 am to midnight on Saturday. On Sundays, street parking is free. There are also parking garages around the block.
CCIM is wheelchair accessible.

Program:

Aniruddh Srinivasraghavan - vocal
Ramanan Venkatram - hansaveena,
Rohan Mishra - sarangi,
Rohan Prabhudesai - harmonium
Pranav Shikarpur - bansuri

Accompaniment: Tejas tope, Aditya Phatak, Niel Khare, Manav Khurana

Aditya Phatak
A highly sought-after performer of tabla, Scotch Plains native Aditya was initially inspired by his grandfather Deepak Phatak and guided by his uncle Shivraj Phatak. For more than fifteen years, Aditya has been developing his tabla under the loving mentorship of Pt. Samir Chatterjee. Over that time, Aditya has performed at prestigious venues like Carnegie Hall, The Metropolitan Museum of Art, the Woodstock Drum Boogie Festival, and the BRM "Ragas Live" festival. Notably, Aditya's tabla was featured in the Grammy-nominated song “Abundance in Millets”, commissioned by Honorable Prime Minister Narendra Modi and written by Indian-American singer-songwriters Falu and Gaurav Shah. Aditya is also an accomplished jazz drummer and Hindustani vocalist, having studied Hindustani Classical vocal music with Smt. Rucha Jambhekar, and more recently, under the guidance of Shri Kiran Lele. Aside from music, Aditya is a senior at Columbia University studying Applied Mathematics and Computer Science.

Anirudh Srinivasraghavan is an Indian classical vocalist, carrying forward the rich legacy of the Gwalior and Agra Gharanas. With a deep foundation in Hindustani music, he has captivated audiences worldwide through solo concerts and innovative performances. He has been training under leading vocalist Pt. Dr. Ram Deshpande (a senior disciple of Padma Shri Pt. Ulhas Kashalkar) for over 25 years. For over a decade, he learnt solo Harmonium under the guidance of eminent Sitarist Pt. Ravi Chary, a senior disciple of Padma Shri Ustad Shahid Parvez.

Anirudh blends his classical music repertoire with a variety of Indian semi-classical genres such as Ghazals, Thumris, Bhajans, Natyasangeet.

He has been honored with the titles “National Sangeet Shiromani” at the Cuttack Mahotsav and “Sangeet Sandipani Ratna” by Patel Cultural Foundation. He was a recipient of the National Scholarship for Classical Music by CCRT, Ministry of Culture, Indian Government for 9 years. He received top honors at his alma mater IIT Bombay, the most prestigious one being Institute Roll of Honour – highest student award in IIT Bombay.

Anirudh has given multiple performances at prestigious institutions such as Carnegie Hall, NCPA, Kala Ghoda Fest (Mumbai), Philadelphia Ganesh Festival, to name a few. He is very excited to be performing his first solo concert in Manhattan under the aegis of the prestigious Chhandayan Center for Indian Music.

Manav Khurana

Neil Khare started learning tabla at the age of 4 from his father Anil Khare, continued his training from Shri Surakshya Deshpande, and currently learns from Dr. Amod Dandawate. He has accompanied artists such as Srimati Gauri Pathare for her USA 2023 tour, Srimati Aarti Anklikar during her workshop presentation, has played on a New York TV Channel, and has received many awards in the Instrumental solo category. He is a recent graduate from Rutgers University and is working full-time in finance in Philly.

Pranav Shikarpur

Pranav Shikarpur started learning Hindustani flute (Bansuri) from Late Pt. Venkatesh Godkhindi, when he was 7yrs old and continues to learn from Surmani Pt Pravin Godkhindi for the past 9yrs. He was awarded the Center for Cultural Resources and Training scholarship(CCRT) in 2013 for Hindustani Flute. He stood first place for Youth Instrumental Category in Swarashri Music Competition held yearly in Bengaluru. Pranav is a strong believer in music being a universal language and has thus collaborated with musicians and dancers across different genres such as jazz, Carnatic music, Odissi and Bharatanatyam, as well as Bengali folk music.

In addition to his passion for Flute, Pranav has trained in the Hindustani Vocal from Smt. Geetha Hegde and Tabla from Sri Mohan for several years. Pranav graduated with a degree in Mathematics and Computer Science from the University of Maryland and currently works as a developer advocate at a cybersecurity startup.

Ramanan (Hansaveena)
Ramanan is a senior disciple of Pandit Barun Kumar Pal and has trained in the true Guru Shishya Parampara. On many occasions he has given various performances with the guidance and love from his Guru. The style of playing would mostly be termed as the Senia Maihar Gharana Style, however, Ramanan says that it is his Guru’s style, which includes everything from the Gharana added with his (Guruji’s) immense musical sense and awareness of a slide instrument that makes it vividly unique. Apart from being a Classical Musician, Ramanan is also an accomplished western music composer, multi-instrumentalist, audio engineer and music producer. This allows him to have the most unique edge, which helps in bringing out unconventional and innovative melodies. Ramanan aspires to be capable enough to walk on the path of his Guru and is determined to promote and propagate his Guru’s hard work and struggle of the Hansaveena to the world.

Rohan Misra
Rohan Misra is a tenth-generation sarangi artist, continuing a rare and respected family tradition of Indian classical music. He began learning the sarangi at the age of six from his father and Guru, the legendary Pandit Ramesh Misra. Under his guidance, Rohan inherited a rich musical legacy shaped by nine generations before him. He now continues his training under the guidance of Sitar maestro Pandit
Kushal Das, whose mentorship plays an important role in shaping and deepening his musical growth. While strongly rooted in classical music, Rohan also explores other genres and cross-cultural collaborations, bringing new sounds and ideas to the sarangi, an instrument often described as having “a hundred colors.”. Rohan has performed at Carnegie Hall, Columbia University, the Massachusetts Institute of Technology, and the Smithsonian Institution. He has shared the stage with renowned artists such as Pandit Birju Maharaj, Srimati Kumudini Lakhia, Pandit Swapan Chaudhury, Pandit Rajendra Gangani, Ustad Ma Zila Khan, Pandit Samar Saha, and Pandit Anindo Chatterjee, among others. Through his music, Rohan Misra honors tradition while continuing to grow and share the voice of the sarangi with audiences from many backgrounds.

Rohan Prabhudesai has been studying Hindustani and western classical music for the past 21 years and more recently, jazz. In India, he started studying at the Goa Kala Academy and later with Dr. Kedar Naphade, a senior disciple of Pt. Tulsidas Borkar. He studied classical piano with Edwin Lopez, music director of the Crescent Avenue Presbyterian church music program and continued to study classical contemporary composition at NYU Steinhardt and Charles University in Prague, Czech Republic. He currently is picking up jazz chops from Fred Fischer.

Tejas Tope
Tejas Tope is an aspiring young Indian percussionist who comes from Long Island New York. Tejas has been learning tabla from Pt. Samir Chatterjee for over 15 years. Additionally, since 2011, Tejas has been attending classes in the Summer with Ustad Zakir Hussain. At Zakirji's invitation, Tejas performed a tabla solo at the Barsi of Ustad Alla Rakha on February 3, 2018 at Shanmukhananda Hall in Mumbai.

Tejas Tope has also been learning Pakhawaj from Pandit Mohan Shyam Sharma for the last 5 years. He has also had the opportunity to study with Pandit Manik Munde and Shri Pratap Awad.

Tejas received First prize in the instrumental category from 2005-2011 at the annual Vedic Heritage’s Holi Youth Talent Competition held in Hempstead, Long Island, NY. In the summer of 2006, he played at the 6th Marathi European Sammelan in Almelo, Netherlands, at the 13th BMM Convention in Seattle (June 2007), and 15th BMM Convention in Chicago (July 2011). In October 2007, Tejas had his Rangamanch Pravesh and presented tabla solo as a part of Chhandayan Concert Series. Tejas received first prize in the Swardhara Competition held by Marathi Vishwa of New Jersey in 2010 and 2012. Tejas is recipient of Chhandayan’s most prestigious Jyotsna Award in the student category in 2011.

66:T578,

Program:

Raghunandan Pansikar - vocal
Bharat Kamat - tabla
Ameya Bichu - harmonium

67:T1093,

Kedar Naphade - harmonium,
Samir Chatterjee - tabla,
Anika Holla - harmonium,
Siddharth Komaragiri - tabla

Seating: On the floor with back jack support, on regular chairs and cushioned chairs.
Dress Code: Casual, comfortable, decent. Please take off your shoes before entering the performance space.
Food and beverage: Only water is allowed inside the performance space. Please bring your own supply.
Parking: 6-hour metered parking is allowed on both sides of the street from 6 pm to midnight on Monday through Friday and 8 am to midnight on Saturday. On Sundays, street parking is free. There are also parking garages around the block.
CCIM is wheelchair accessible.

Kedar has also had the privilege of training from Late Smt. Padmavati Shaligram-Gokhale, a veteran singer of the Atrauli-Jaipur gharana. She played a pivotal role in his musical development and sowed in him the seed that developed into a passionate love for the vocal art form.

As such, like his guru Pt. Tulsidas Borkar, Kedar's music derives inspiration from the character of the traditional hindustani vocal art form, as well as the dexterous harmonium wizardry of Pt. Borkar and his guru P. Madhukar—a genius and pioneer in harmonium performance technique.

In addition to classical music, Kedar also plays the semi-classical forms of Marathi Natyasangeet (Stage Music), Bhajans, Thumri, Dhun etc.

Kedar has performed harmonium solo and has accompanied vocalists at numerous concerts in India, Europe and in the U.S. including prestigious festivals and venues such as the Alladiya Khan Smruti Samaroha, Dadar Matunga Cultural Center in Mumbai, The Lincoln Center in New York, The Smithsonian Institute in Washington D.C etc. He has also been featured on NPR.

He has shared the stage with luminaries such as his guru Smt. Padmavati Shaligram-Gokhale, Pt. Jasraj, Smt. Veena Sahasrabuddhe, Pt. Ulhas Kashalkar, Smt. Prabha Atre, Smt. Laxmi Shankar, Pt. Phiroz Dastur, Smt. Ashwini Bhide, Smt. Arati Ankalikar, Smt. Kaushiki Chakraborty and others.

Kedar continues to maintain an active concert schedule and teach the next generation fo harmonium players in the US and Canada.

68:T1436,

Kalyanjit Das - sitar,
Manav Khurana - tabla,

Seating: On the floor with back jack support, on regular chairs and cushioned chairs.
Dress Code: Casual, comfortable, decent. Please take off your shoes before entering the performance space.
Food and beverage: Only water is allowed inside the performance space. Please bring your own supply.
Parking: 6-hour metered parking is allowed on both sides of the street from 6 pm to midnight on Monday through Friday and 8 am to midnight on Saturday. On Sundays, street parking is free. There are also parking garages around the block.
CCIM is wheelchair accessible.

Kalyanjit started learning the sitar at the age of three under the guidance of his father Pt. Kushal Das, and continues his rigorous and intensive talim under him. Kalyanjit also receives training in advance sitar techniques and art of music-making from Pt. Sanjoy Bandopadhyay. His mother Smt. Sujata Das initiated him in vocal training at a young age and now he also receives guidance from Ud. Rashid Khan as well. He is cared about the different Talas, Layas & their variations by Sri Biplab Bhattacharya, Pt. Subhankar Banerjee & also attended workshops of the famous Tabla Wizard Pt. Shankar Ghosh.

Kalyanjit started playing solo concerts from a young age and has also performed duet-sitar recitals with his father Pt. Kushal Das in India as well as abroad, some of which include: Bengal Classical Music Festival (Dhaka), 'Sitar Festival' at Bharatiya Vidya Bhawan (London), RKM, Golpark (Kolkata), Shakhri Begum Memorial Trust (Kolkata), The Nehru Centre (London), Kalashree Music Circle (Kolkata), Sangeet Piyasi (Kolkata), Ballygunge Maitreyee Circle (Kolkata), Shrutinandan (Kolkata), Live In India (Kolkata), ITC-SRA Festival at Nazrul Kala Kshetre (Agartala), Moore Avenue Music Conference (Kolkata), Raga Tapasya Festival (Pondicherry), Raga Spirit Festival (Los Angeles), SAPTHAK (Bengaluru), Sangeet Ashram (Kolkata), MERU (Seelisberg, Switzerland), KALASHRAM (Delhi), Gandharva Mahavidyalaya (Pune), Nad Brinda (Silchar), Dharohar Foundation (Netherlands), Art Base (Belgium), Pianola Museum (Amsterdam).

Kalyanjit has been fortunate to perform with eminent Tabla maestros Pt.Swapan Choudhury, Pt.Kumar Bose, Pt.Arup Chatterjee, Pt.Subhankar Banerjee, Pt.Parimal Chakraborty, Pt.Abhijit Banerjee & Pt. Ramdas Palsule. Kalyanjit stood 1st in the All India Radio Music Competition in 2013 and was invited to perform at NCPA (Mumbai) & was honoured the "Ravi Koppikar Memorial Award" by The International Foundation for Fine Arts. He is a "B-High" musician of All India Radio & Doordarshan. He has received the prestigious Jnana Pravaha Scholarship in 2012. In 2014, Kalyanjit received the National (Senior) Scholarship from the Ministry of Culture, Govt. of India. He is also a Sitar Tutor at the Bengal Parampara Sangeetalaya, a music academy under Bengal Foundation, Dhaka. Kalyanjit has toured extensively in France, Germany, Netherlands, Belgium, Denmark, Switzerland, UK and USA.

Manav Khurana

69:T14ba,

Swarnendu - sarod,
Samir Chatterjee - tabla,
Manav Khurana - tabla

Seating: On the floor with back jack support, on regular chairs and cushioned chairs.
Dress Code: Casual, comfortable, decent. Please take off your shoes before entering the performance space.
Food and beverage: Only water is allowed inside the performance space. Please bring your own supply.
Parking: 6-hour metered parking is allowed on both sides of the street from 6 pm to midnight on Monday through Friday and 8 am to midnight on Saturday. On Sundays, street parking is free. There are also parking garages around the block.
CCIM is wheelchair accessible.

Swarnendu - Sarod
Hailing from Kolkata, India, Swarnendu is a 23-year-old prodigy, a Sarod virtuoso, and a master of Geology. Under the esteemed guidance of Pt. Buddhadev Dasgupta, representing the Senia Shahjahanpur Gharana, he has seamlessly blended the rich traditions of Indian classical music with contemporary finesse.

A senior scholar at the revered ITC Sangeet Research Academy under the guidance of Ustad Abir Hussain, Swarnendu has graced the world with captivating performances. Notable achievements include performances at the G20 Summit (2023) in Varanasi, ITC Sangeet Sammelan (2022), performance in Bhubaneshwar for Italian Consulate General (2022), and a remarkable first-place win at the All Indian Universities Youth Festival in 2023.

Beyond his native land, Swarnendu has embarked on impressive tours across Europe, enchanting audiences in Germany and Austria in 2022, including performances at Cologne Durgotsav, Music for Peace, and more. His music journey continued with concerts in Vienna, Linz, Berlin, and Konstanz, leaving an indelible mark on international music enthusiasts. He has also toured Taiwan in 2019 to perform at the Sports and Culture Ministry.

Further highlighting his stature as a global musical ambassador, Swarnendu participated in a performance for the G20 Summit in Varanasi in 2023, a prestigious platform where he shared his music with world leaders and dignitaries, he also represented India in Asia Music Summit (2020).

Back on home turf, Swarnendu's multifaceted talents extend to academia, with a bachelor's as well as master's degree in Geology from Jadavpur University. This fusion of science and art reflects his multidisciplinary approach to life.

As of 2023, Swarnendu continues to ascend in the world of music and is also the recipient of the CCRT National Scholarship from the Ministry of Culture, Government of India. He is also a graded artiste and regular performer at the All India Radio and Doordarshan.

He has also worked as music composer for several short films and documentaries, composed music for Video Game, did collaborative projects with many international musicians, wrote as a music critic also arranged music for several projects.

6a:T536,

Chandralekha Gangavarapu - vocal,
Siddharth Ragavan - Mridangam,
Tanisha Srivatsa - violin

Seating: On the floor with back jack support, on regular chairs and cushioned chairs.
Dress Code: Casual, comfortable, decent. Please take off your shoes before entering the performance space.
Food and beverage: Only water is allowed inside the performance space. Please bring your own supply.
Parking: 6-hour metered parking is allowed on both sides of the street from 6 pm to midnight on Monday through Friday and 8 am to midnight on Saturday. On Sundays, street parking is free. There are also parking garages around the block.
CCIM is wheelchair accessible.

6b:Tedc,

Rajrupa Chowdhury - sarod,
Samir Chatterjee - tabla,

Seating: On the floor with back jack support, on regular chairs and cushioned chairs.
Dress Code: Casual, comfortable, decent. Please take off your shoes before entering the performance space.
Food and beverage: Only water is allowed inside the performance space. Please bring your own supply.
Parking: 6-hour metered parking is allowed on both sides of the street from 6 pm to midnight on Monday through Friday and 8 am to midnight on Saturday. On Sundays, street parking is free. There are also parking garages around the block.
CCIM is wheelchair accessible.

CHHANDAYAN'S PROGRAMS ARE MADE POSSIBLE BY THE NEW YORK STATE COUNCIL ON THE ARTS WITH THE SUPPORT OF THE OFFICE OF THE GOVERNOR AND THE NEW YORK STATE LEGISLATURE.
And the following donors: N. Balasubramanium, Sanjeev Bala, Penny Brill, Anjan and Sheba Chatterjee, Erawati Bawle, Matteo Banerjee, Mandeep and Paresh Trivedi, Keyur Thakar, Jagat Mavani, Rajesh Abhyankar, and others.

Ms. Rajrupa Chowdhury was born at Kolkata, India. She took up Sarod at the tender age of five at the Ustad Ameer Khan School of Instrumental Music under the guidance of Pranab Naha. She has taken talim from Pandit Ajay Sinha Roy and from Siddhartha Roy Chowdhury. In 2006, Ms Chowdhury was placed first class first in her Masters in Instrumental Music from the Rabindra Bharati University, Kolkata. Since then she has been taking advanced talim from Prof. Sanjoy Bandyopadhyay, who has been influential in the formation of her own style of music.

Ms. Chowdhury has performed at various concerts and competitions in India such as Salt Lake Music Festival, Kolkata (2010); Maitraiyee Sangeet Sammelan, Kolkata (2009); Sutanoti Parisad Concert, Kolkata (2005); Protiva Utsab organized by EZCC, Govt of India (2003); Bishwa Banga Shammelan at Yuva Bharti Krirangan, Kolkata (2001); India Habitat Centre (2001); All India Radio Music Competition (2001) and Dover Lane Music Competition, Kolkata, (1999). She is the proud recipient of awards like ITC-SRA Promising Artist Award, Mumbai; 2001; National Scholarship for Senior Students of Indian Classical Music, Govt. of India, 2000, and Distinction for Sangeet Bhushan by Sangeet Parisad, Chandigarh.

Ms. Rajrupa Chowdhury has also performed at the Bengal ITC-SRA Classical Music Festival, Dhaka (2012); Chhayanaut Suddha Sangeet Sammelan, Dhaka (2012) and in ‘A Tribute to Ustad Ali Akbar Khan’ organized by Chhayanaut, Dhaka in 2009. She has performed on several occasions at Bengal Shilpalaya, Bengal Art Lounge and Shadhona, Dhaka.

Internationally, Ms. Rajrupa Chowdhury has performed at USA, Belgium, Luxembourg and France. She was the youngest Sarod player to perform at the North American Bengali Conference held at New York, USA in 1995.

Samir Chatterjee is a virtuoso tabla player. He performs and teaches all around the world. He can be heard on numerous recordings as soloist, and with other outstanding musicians from the East and the West. Samir lives in New Jersey and presides over a center for Indian music in midtown Manhattan. Samir teaches at several universities. He performed at the 2007 Nobel Peace Prize Ceremony. He has also performed several times at the UN General Assembly. His compositions and writings are widely acclaimed. Samir played a significant role in the musical revival in Afghanistan. He is the recipient of a few awards such as the Sunshine Award, Jadu Bhatta Award and Acharya Varistha Award.

6c:Td55,

Tharini Nagarkar - vocal,
Abhay Kulkarni - tabla,
Srikar Ayyalasomayajula - Harmonium

Seating: On the floor with back jack support, on regular chairs and cushioned chairs.
Dress Code: Casual, comfortable, decent. Please take off your shoes before entering the performance space.
Food and beverage: Only water is allowed inside the performance space. Please bring your own supply.
Parking: 6-hour metered parking is allowed on both sides of the street from 6 pm to midnight on Monday through Friday and 8 am to midnight on Saturday. On Sundays, street parking is free. There are also parking garages around the block.
CCIM is wheelchair accessible.

Tharini has performed across India and the United States at prominent venues and festivals, including the Ramaseva Mandali Trust, Sapthak, Naadabrahma Sangeet Sabha in Bangalore, Gaanabharathi in Mysore, the Philadelphia Ganesh Festival, and the Ustad Amir Khan Music Festival in California. Her music has also reached global audiences online through recorded features on the Mihir Thakore YouTube channel. Alongside her musical pursuits, Tharini is a third-year medical student at the George Washington University in Washington, D.C.

Abhay Kulkarni
Abhay Kulkarni started learning the art of tabla under the tutelage of his father, Vidwan Amrutesh Kulkarni and then started advanced
training under Pandit Satish Hampiholi in Bengaluru, India. He has achieved the “Alankar” (M.A. in music) from Gandharva Maha
Vidyalaya, Miraj, and the “Vidwath” exam with distinction from the Government of Karnataka, India. His accolades include the “Baala
Prathibe,” “Karnataka Kalaashri,” “Award of Excellence” by Canara Bank, and the “Prathiba Puraskaara” by Sadguru Music Academy and
many more. He also receives music scholarships from the Kannada and Culture Department and CCRT - Government of India. His album, Avarthana, a tabla jugalbandhi with Sri Amith Bhat—was launched by the stalwart musician Pandit Omkar Gulwadi under his guru Dr. Satish Hampiholi.
In addition to excelling in music, Abhay holds a Master of Engineering in Electronics and currently works as an electronics engineer at Automated Precision Inc., MD, USA.

6d:T64e,

Kalyan Majumdar - sitar,
Ehren Hansen - tabla,

Seating: On the floor with back jack support, on regular chairs and cushioned chairs.
Dress Code: Casual, comfortable, decent. Please take off your shoes before entering the performance space.
Food and beverage: Only water is allowed inside the performance space. Please bring your own supply.
Parking: 6-hour metered parking is allowed on both sides of the street from 6 pm to midnight on Monday through Friday and 8 am to midnight on Saturday. On Sundays, street parking is free. There are also parking garages around the block.
CCIM is wheelchair accessible.

Hanson began learning tabla at age 15 under Misha Masud. In 2000, he became a disciple of the legendary tabla maestro Pandit Anindo Chatterjee, with whom he has remained closely associated. He has also received taleem from Ray Spiegel of the Panjab gharana.

6e:T107c,

The evening opens with a special pre-concert lecture by Samir Chatterjee, an accomplished scholar and teacher of Indian music.

Anol Chatterjee - vocal,
Sandip Ghosh - tabla,
Gaurav Venkateshwar - harmonium

Seating: On the floor with back jack support, on regular chairs and cushioned chairs.
Dress Code: Casual, comfortable, decent. Please take off your shoes before entering the performance space.
Food and beverage: Only water is allowed inside the performance space. Please bring your own supply.
Parking: 6-hour metered parking is allowed on both sides of the street from 6 pm to midnight on Monday through Friday and 8 am to midnight on Saturday. On Sundays, street parking is free. There are also parking garages around the block.
CCIM is wheelchair accessible.

CHHANDAYAN'S PROGRAMS ARE MADE POSSIBLE BY THE NEW YORK STATE COUNCIL ON THE ARTS WITH THE SUPPORT OF THE OFFICE OF THE GOVERNOR AND THE NEW YORK STATE LEGISLATURE.
And the following donors: N. Balasubramanium, Sanjeev Bala, Penny Brill, Anjan and Sheba Chatterjee, Erawati Bawle, Matteo Banerjee, Mandeep and Paresh Trivedi, Keyur Thakar, Jagat Mavani, Rajesh Abhyankar, Amitabha Bose, Tejas Tope and others.

Anol Chatterjee
Anol Chatterjee is a highly respected Hindustani classical vocalist, composer, lyricist, and music educator, recognized for his deep musical training, global performances, and contributions to Indian music heritage. Born to music parents Madhumita Chatterjee and Mihir Chatterjee, Anol is a prime disciple of Guru Padmabhushan Pandit Ajoy Chakrabarty and has also studied under Sri Bishwanath Chowdhury, Late Sri Ajit Chakrabarty, Smt. Chandana Chakrabarty, and Sri Shantanu Bhattacharyya.

He is a graduate in English Literature and a First Class First in Hindustani Vocal Music from Rabindra Bharati University, and an ex-scholar of the ITC Sangeet Research Academy. Anol is a master of Hindustani classical vocal music, performing ragas, Dhrupad, Khyal, Thumri, Dadra, Bhajan, Bengali semi-classical, and devotional songs. He is also a composer and lyricist, with works gaining viral recognition online, and has served as music director for the acclaimed docu-feature Yogiraaj Syamacharan Lahiri. His debut album New Signature was inaugurated by Ustad Zakir Hussain, and he has been praised by Pandit Ravi Shankar, Ustad Amjad Ali Khan, and playback singer Arijit Singh. He is an A-grade artiste of All India Radio and Doordarshan. He is Recipient of the Aditya Birla Kala Kiran Puraskar, Shrutinandan Puraskar, and other honors. He is an honorable examiner for Vishwa Bharati University and All India Radio Audition Board. He has performed internationally in the USA, Canada, UK, Scotland, Netherlands, Germany, South Africa, and Bangladesh. He has been featured in major festivals such as Kesarbai Kerkar Sangeet Samaroh, Sangeet Natak Akademi Concerts, Virasat Festival, and Dinrang Festival.

Anol is Acting Principal of Shrutinandan, Kolkata — an internationally acclaimed music academy — and conducts global online classes and workshops reaching students in over 20 countries. Anol Chatterjee is a multifaceted artist blending traditional mastery with modern outreach, making him one of India’s most prominent young vocalists and educators today

Sandip Ghosh
Sandip Ghosh is one of the best Tabla players from the younger generation in India having performed around the globe since 2006 when Pandit Ranajit Sengupta introduced him in Europe. He is a student of Pandit Gobinda Bose & Pandit Anindo Chatterjee. He has performed with great masters of Indian classical music. He is the winner of national scholarship from the Ministry of Culture, Govt. of India and got a master's degree in percussion from Rabindra Bharati University.

6f:T187f,

Supriyo Dutta - vocal,
Samir Chatterjee - tabla,
Srikar Ayyasomajula - harmonium

Seating: On the floor with back jack support, on regular chairs and cushioned chairs.
Dress Code: Casual, comfortable, decent. Please take off your shoes before entering the performance space.
Food and beverage: Only water is allowed inside the performance space. Please bring your own supply.
Parking: 6-hour metered parking is allowed on both sides of the street from 6 pm to midnight on Monday through Friday and 8 am to midnight on Saturday. On Sundays, street parking is free. There are also parking garages around the block.
CCIM is wheelchair accessible.

He received his training under some of the most distinguished icons of Indian classical music: Pandit Ramkrishna Basu (Indore Gharana), Padmashri Pandit Vijay Kumar Kichlu, and Vidushi Subhra Guha. At present, he continues to refine his artistry under the guidance of Padmabhusan Pandit Arvind Parikh.

His contributions to Indian music have been recognized through numerous awards and accolades from prestigious cultural institutions worldwide. He was also honoured by the Governor for securing first position in his Master’s Degree in Music. As a student he was national scholar under Ministry of Culture. A passionate educator, Dutta has dedicated a significant part of his career to teaching and mentoring the next generation of musicians, reflecting his deep commitment to preserving and perpetuating the rich heritage of Indian classical music.

Dutta is the first Indian vocalist to perform at the President’s Palace in Rome. Among his many notable appearances are concerts for the Sangeet Natak Akademi, India International Centre, Indian Council for Cultural Relations, National Centre for Performing Arts Mumbai, Uttarpara Sangeet Chakra, Behala Classical Festival, West Bengal State Music Academy, Ramkrishna Mission along with international festivals and organizations including North American Bengali Conference(NABC), Massachusetts Institute of Technology Heritage Arts of South Asia, LearnQuest Boston, George Brown Centre Houston, Woodford Folk Festival Australia , Accademia Filarmonica Romana, Deutsch‑Indische Gesellschaft, Maharishi European Research University, the International Music Festival Colombo, and Shenzhen University.

In 2020, his documentary “Ustad Amir Khan – The Path Breaking Modernist”, hosted by Sangeet Ashram, received an award at the Calcutta International Cult Film Festival. He has also directed several documentaries on Hindustani classical music and has worked as a music director and playback singer for various productions.

He conducted Conference on Indian classical music with students of Universita Degli Studi di Torino; Fondazione Universita Della Terza eta Milano Duomo; Musicology Department of Universita Degli Studi di Milano; Conservatorio di Musica – Milano; Festival dell’ Orient – Rome; Organico Scena Artistica (OSA) -Locarno (Switzerland); Woodford Festival – Australia; Learnquest Academy of Music (Boston-USA) , Young Peoples Chorus (YPC) New York.

Dutta’s performances are a testament to the universal language of music, making him a revered figure among connoisseurs and new listeners alike.

Samir Chatterjee
is a virtuoso tabla player. He performs and teaches all around the world. He can be heard on numerous recordings as soloist, and with other outstanding musicians from the East and the West. Samir lives in New Jersey and presides over a center for Indian music in midtown Manhattan. Samir teaches at several universities. He performed at the 2007 Nobel Peace Prize Ceremony. He has also performed several times at the UN General Assembly. His compositions and writings are widely acclaimed. Samir played a significant role in the musical revival in Afghanistan. He is the recipient of a few awards such as the Sunshine Award, Jadu Bhatta Award and Acharya Varistha Award.

Srikar Ayyalasomayajula
Srikar grew up in central New Jersey and currently lives in Brooklyn. He has learnt Harmonium from Guru Sri Hemant Kulkarni in New Jersey for over ten years. Srikar has performed harmonium solo pieces in a number of concerts and competitions in harmonium growing up, including winning first prize in national competitions conducted by Marathi Vishwa, Academy of Indian Music and Fine Arts, Bharat Sevashram, etc. Apart from solo performances, Srikar has also provided dynamic as energetic Harmonium saath to artists from around the world regularly for over a decade. Srikar was also the Music Chair of Michigan Sahana, the premier Indian Classical Music and Dance Organization at the University of Michigan and had been organizing and performing in their concerts throughout his time at the university. After graduating, Srikar had been continuing to be a part of both classical accompaniment and fusion collaborations across the country. Apart from music, Srikar currently works at Google as a Software Engineer in New York City.

70:T14d6,

Atri Kotal - vocal,
Samir Chatterjee - tabla,
Rohan Misra - Sarangi.

Seating: On the floor with back jack support, on regular chairs and cushioned chairs.
Dress Code: Casual, comfortable, decent. Please take off your shoes before entering the performance space.
Food and beverage: Only water is allowed inside the performance space. Please bring your own supply.
Parking: 6-hour metered parking is allowed on both sides of the street from 6 pm to midnight on Monday through Friday and 8 am to midnight on Saturday. On Sundays, street parking is free. There are also parking garages around the block.
CCIM is wheelchair accessible.

Atri Kotal

Atri Kotal initially trained under Late Pt. Biresh Roy, Ustad Jainul Abedin, Pt Ajoy Chakraborty. Currently she is under the guidance of Shri Deborshee Bhattacharjee & Padmashree Shubha Mudghal ji, Atri is a National Scholar from Ministry of Culture, Govt of India, a graded artist of All-India Radio.

Born and brought up in Kolkata and now residing in Mumbai, Maharashtra. She has performed worldwide. In India she has performed at the prestigious Dover Lane Music Conference (69th edition), VSK Baithak Delhi, Banyan Tree events Mumbai, Khazana Festival Mumbai to name a few. And in the USA, she performed in Arts from India, New York, Radha Raman Vedic Temple, Brea, California, Arizona State University, to name a few. She has received prestigious awards like Girija Devi Vises Kalakar Puraskar from Padmavibhushan Girija Devi herself, Sangeet Natak Academy Scholarship in the name of Begum Akhtar ji, Best Hindustani under Consumer Traditional category in IMA Indian Music Awards and Khazana Ghazal Talent hunt award from Padmashree Anup Jalota and Padmashree Peenaz Masani to name a few. Dedicated to perpetuating the rich legacy of Hindustani Classical vocal music, she has undergone rigorous training in the esteemed Kirana, Agra, and Patiala gharanas. Her expertise extends to a vast repertoire of Purab ang gayaki, encompassing Thumri, Dadra, and allied forms, showcasing her versatility and depth in this traditional art form.

She is also working towards spreading the rich cultural heritage of Indian Classical music among youth. She works as a visiting faculty and examiner of Indian Music at NMIMS, School of Performing Arts & School of Economics, Mumbai and multiple other private
schools and colleges in India. She also has her own 7-piece classical fusion ensemble named Survana whose purpose is to make Indian classical music more accessible for today’s world blending with modern sound.

71:T1072,

Adarsh Tolat - tabla,
Dhruvin Shah - vocal,
Vedant Kansara - violin,
Garavi Angreji - kathak dance,
Quinn Knox - piano
Krish Pandya - tenor saxophone

Sitting: on chairs,
Dress Code: Casual, comfortable, descent.
Food and beverage: Only water is allowed inside the studios.

CHHANDAYAN'S PROGRAMS ARE MADE POSSIBLE BY THE NEW YORK STATE COUNCIL ON THE ARTS WITH THE SUPPORT OF THE OFFICE OF THE GOVERNOR AND THE NEW YORK STATE LEGISLATURE.

ADARSH TOLAT
Adarsh is one of Chhandayan's prides. He has been studying at Chhandayan since his childhood. Now that he is about to graduate from high School, we are getting ready to congratulate him on his graduation from the eight-years course of Chhandayan Certificate Course in Tabla. He has been playing the tabla for around 10 years. He also plays the trumpet in his high school's select jazz band and serves as captain of the varsity tennis team. Adarsh is also a Boy Scout, recently earning the rank of Eagle.

In his final recital, Adarsh will open with a Tabla solo in Ektal. This will be followed by accompaniments with a Hindustani classical vocal performance by Arohi Tolat, and Hindustani violin performance by Vedant Kansara and a Kathak dance performance by Garavi Angreji. He will conclude with a jazz performance with Quinn Knox on piano and Krish Pandya on tenor saxophone.

Dhruvin Shah - vocal
Dhruvin Shah began his vocal training in Mumbai at the age of five with renowned dilruba maestro and vocalist Pt. Vinayak Vora. During his teenage years, he won several prestigious All-India classical music competitions, including the India Culture League and Swar Sadhana Samiti hosted in Mumbai. After completing his Sangeet Visharad and receiving further training from Vidushi Tulika Ghosh, he went on to study architecture at Yale University. Now an architect based in New York City, Dhruvin is continuing his musical tutelage under Pt. Sanjoy Banerjee of the Kirana Gharana, maintaining a balance between his creative pursuits in music and architecture.

Vedant Kansara - Violin
Vedant Kansara, a high-school senior, is from Farmington, CT. After playing western classical music in school since 2nd grade, Vedant started learning Indian classical music at the age of eight, initially in the Carnatic tradition, and then switching to the Hindustani tradition. Since the last seven years, Vedant, along with his sister Rudra, has continued to train with his Guru Shri Raaginder Singh ji Momi (disciple of Late Vidushi Sisirkana Dhar Choudhury) in the Maihar Gharana style of music. Following his musical lineage, Vedant plays a violin with five main and eight sympathetic strings.

Garvi Angreji - Kathak dance
Garavi grew up training in Kathat since she was 6 years old. She completed her training when she was 17 and completed her Rang Manch Pravesh. She then completed her Undergraduate and Doctorate of Physical Therapy at Drexel University in Philadelphia. She is now a Physical Therapist working in an outpatient clinic in New York City. She continues to enjoy practicing Kathak as often as she can!

Quinn Knox - alto saxiphone
Quinn is a member of Hall High School’s Concert Jazz Band, as well as the Jazz at Lincoln Center Youth Orchestra. He won the Outstanding Alto Soloist Award as a finalist at Essentially Ellington with the Hall CJB in 2025.

Krish Pandya - tenor saxophone
Krish Pandya is currently a senior at Hall High School. He plays the tenor, baritone, and alto saxophone, as well as the clarinet. He is a member of several youth jazz bands, including the Jazz at Lincoln Center Youth Orchestra, the William H. Hall High School Concert Jazz Band, and Connecticut All-State and Northern Regional Jazz Bands. He has been a part of the Mingus and Essentially Ellington competitions as well.

At the beginning event, there will be light refreshments served from 6 pm.

72:T84b,

Sitting: In the main room on the floor with back jack support, chairs in the second and third room.
Dress Code: Casual, comfortable, decent. Please take off your shoes before entering the studios.
Food and beverage: Only water is allowed inside the studios. Please bring your own supply.
CHHANDAYAN'S PROGRAMS ARE MADE POSSIBLE BY THE NEW YORK STATE COUNCIL ON THE ARTS WITH THE SUPPORT OF THE OFFICE OF THE GOVERNOR AND THE NEW YORK STATE LEGISLATURE.

Aditya Phatak

A highly sought-after performer of tabla, Scotch Plains native Aditya was initially inspired by his grandfather Deepak Phatak and guided by his uncle Shivraj Phatak. For more than fifteen years, Aditya has been developing his tabla under the loving mentorship of Pt. Samir Chatterjee. Over that time, Aditya has performed at prestigious venues like Carnegie Hall, The Metropolitan Museum of Art, the Woodstock Drum Boogie Festival, and the BRM "Ragas Live" festival. Notably, Aditya's tabla was featured in the Grammy-nominated song “Abundance in Millets”, commissioned by Honorable Prime Minister Narendra Modi and written by Indian-American singer-songwriters Falu and Gaurav Shah. Aditya is also an accomplished jazz drummer and Hindustani vocalist, having studied Hindustani Classical vocal music with Smt. Rucha Jambhekar, and more recently, under the guidance of Shri Kiran Lele.

Aside from music, Aditya is a senior at Columbia University studying Applied Mathematics and Computer Science.

Benjamin Riveron

Benjamin Riveron is an accomplished pianist and vocalist who has trained at the Curtis Institute of Music and the Juilliard School. He is currently a senior in Columbia College studying Political Science.

Audrey Coyne

Audrey Coyne is a freshman at New York University studying Jazz Performance and Mathematics.

73:Tbe5,

Tabla Trio by Tejas Tope, Aditya Phatak and Manav Khurana

Sitting: In the main room on the floor with back jack support, chairs in the second and third room.
Dress Code: Casual, comfortable, decent. Please take off your shoes before entering the studios.
Food and beverage: Only water is allowed inside the studios. Please bring your own supply.
CHHANDAYAN'S PROGRAMS ARE MADE POSSIBLE BY THE NEW YORK STATE COUNCIL ON THE ARTS WITH THE SUPPORT OF THE OFFICE OF THE GOVERNOR AND THE NEW YORK STATE LEGISLATURE.

Tejas Tope
Tejas has been learning tabla from Pt. Samir Chatterjee for over 20 years, and has additionally taken training under Ud. Zakir Hussain for 15 years. Tejas has performed globally, as a soloist and highly sought-after accompanist. Tejas Tope has also studies Pakhawaj under Pt. Mohan Shyam Sharma, Pt. Manik Munde and Shri Pratap Awad.

Aditya Phatak
A highly sought-after performer of tabla, Scotch Plains native Aditya was initially inspired by his grandfather Deepak Phatak and guided by his uncle Shivraj Phatak. For more than fifteen years, Aditya has been developing his tabla under the loving mentorship of Pt. Samir Chatterjee. Over that time, Aditya has performed at prestigious venues like Carnegie Hall, The Metropolitan Museum of Art, the Woodstock Drum Boogie Festival, and the BRM "Ragas Live" festival. Notably, Aditya's tabla was featured in the Grammy-nominated song “Abundance in Millets”, commissioned by Honorable Prime Minister Narendra Modi and written by Indian-American singer-songwriters Falu and Gaurav Shah. Aditya is also an accomplished jazz drummer and Hindustani vocalist, having studied Hindustani Classical vocal music with Smt. Rucha Jambhekar, and more recently, under the guidance of Shri Kiran Lele. Aside from music, Aditya is a senior at Columbia University studying Applied Mathematics and Computer Science.

Manav Khurana is a talented young tabla player from the Farrukhabad Gharana. His musical inclination became apparent at an early age, and his parents encouraged him to learn Dholak, Piano, and other instruments. As a teenager, he was initiated into the world of tabla by his dholak Guru Shri Roger Sookraj. He continued his study of tabla under Shri Kumar Raj Gandharva and Sabir Hussain of the Punjab Gharana. Subsequently, he began his serious training with Shri Dibyarka Chatterjee at the age of 14. In 2023 he became an initiated disciple (shishya) of tabla maestro Pandit Samir Chatterjee. Manav has already performed with some notable performers of Indian Classical Music including Pandit Sugato Nag, Shri Biplap Mukherjee, Pandit Hindol Chattopadhyay, Vidushi Shahana Banerjee and his Guru Pandit Samir Chatterjee. Outside of music, he is currently pursuing his Bachelor’s degree in Finance.

74:T4d6,

Pranav Shikarpur - bansuri (flute)
Neil Khare - tabla

Sitting: In the main room on the floor with back jack support, chairs in the second and third room.
Dress Code: Casual, comfortable, descent. Please take off your shoes before entering the studios.
Food and beverage: Only water is allowed inside the studios. Please bring your own supply.
CHHANDAYAN'S PROGRAMS ARE MADE POSSIBLE BY THE NEW YORK STATE COUNCIL ON THE ARTS WITH THE SUPPORT OF THE OFFICE OF THE GOVERNOR AND THE NEW YORK STATE LEGISLATURE.

Neil Khare started learning tabla at the age of 4 from his father Anil Khare, continued his training from Shri Surakshya Deshpande, and currently learns from Dr. Amod Dandawate. He has accompanied artists such as Srimati Gauri Pathare for her USA 2023 tour, Srimati Aarti Anklikar during her workshop presentation, has played on a New York TV Channel, and has received many awards in the Instrumental solo category. He is a recent graduate from Rutgers University and is working full-time in finance in Philly.

75:T117b,

*Pre-sales will close @ 1:30pm EST on the day of, but admission can be purchased at venue ($30 cash / $32 card); doors open @ 7pm.

Chhandayan (a not-for-profit 501(c)(3) organization) is proud to present an authentic experience of Indian Classical Music in the heart of New York City. This concert series is designed to recreate the same setting this music has been presented in for hundreds of years in India: an informal gathering (baithak) where the invisible barrier between performer and audience falls away to create an intimate experience for both. This performance will feature three exceptional young musicians:
Anirudh Srinivasraghavan - vocal
Manav Khurana - tabla
Rohan Prabhudesai - harmonium

Sitting: In the main room on the floor with back jack support, chairs in the second and third room.
Dress Code: Casual, comfortable (suitable for floor seating); you will need to remove your shoes before entering the studios.
Food and beverage: Only water is allowed inside the studios, but not available at venue.

CHHANDAYAN'S PROGRAMS ARE MADE POSSIBLE BY THE NEW YORK STATE COUNCIL ON THE ARTS WITH THE SUPPORT OF THE OFFICE OF THE GOVERNOR AND THE NEW YORK STATE LEGISLATURE.

Anirudh Srinivasraghavan is an Indian classical vocalist, carrying forward the rich legacy of the Gwalior and Agra Gharanas. With a deep foundation in Hindustani music, he has captivated audiences worldwide through solo concerts and innovative performances. He has been training under leading vocalist Pt. Dr. Ram Deshpande (a senior disciple of Padma Shri Pt. Ulhas Kashalkar) for over 25 years. For over a decade, he learnt solo Harmonium under the guidance of eminent Sitarist Pt. Ravi Chary, a senior disciple of Padma Shri Ustad Shahid Parvez.

Anirudh blends his classical music repertoire with a variety of Indian semi-classical genres such as Ghazals, Thumris, Bhajans, Natyasangeet.

He has been honored with the titles “National Sangeet Shiromani” at the Cuttack Mahotsav and “Sangeet Sandipani Ratna” by Patel Cultural Foundation. He was a recipient of the National Scholarship for Classical Music by CCRT, Ministry of Culture, Indian Government for 9 years. He received top honors at his alma mater IIT Bombay, the most prestigious one being Institute Roll of Honour – highest student award in IIT Bombay.

Anirudh has given multiple performances at prestigious institutions such as Carnegie Hall, NCPA, Kala Ghoda Fest (Mumbai), Philadelphia Ganesh Festival, to name a few. He is very excited to be performing his first solo concert in Manhattan under the aegis of the prestigious Chhandayan Center for Indian Music.

Rohan Prabhudesai has been studying Hindustani and western classical music for the past 21 years and more recently, jazz. In India, he started studying at the Goa Kala Academy and later with Dr. Kedar Naphade, a senior disciple of Pt. Tulsidas Borkar. He studied classical piano with Edwin Lopez, music director of the Crescent Avenue Presbyterian church music program and continued to study classical contemporary composition at NYU Steinhardt and Charles University in Prague, Czech Republic. He currently is picking up jazz chops from Fred Fischer.

Manav Khurana is a talented young tabla player from the Farrukhabad Gharana. His musical inclination became apparent at an early age, and his parents encouraged him to learn Dholak, Piano, and other instruments. As a teenager, he was initiated into the world of tabla by his dholak Guru Shri Roger Sookraj. He continued his study of tabla under Shri Kumar Raj Gandharva and Sabir Hussain of the Punjab Gharana. Subsequently, he began his serious training with Shri Dibyarka Chatterjee at the age of 14. In 2023 he became an initiated disciple (shishya) of tabla maestro Pandit Samir Chatterjee. Manav has already performed with some notable performers of Indian Classical Music including Pandit Sugato Nag, Shri Biplap Mukherjee, Pandit Hindol Chattopadhyay, Vidushi Shahana Banerjee and his Guru Pandit Samir Chatterjee. Outside of music, he is currently pursuing his Bachelor’s degree in Finance.

76:Taf7,

*Pre-sales will close @ 8:30am EST on the day of the event, but admission can still be purchased in-person @ venue ($30 cash / $32 card); doors open @ 12pm.

Chhandayan and Brooklyn Raga Massive present Rabindra Narayan Goswami (sitar) with Mir Naqibul Islam (tabla) performing true Benaras soul music in a rare early afternoon concert. BRM is especially proud to present this concert as Goswami Ji was the first teacher of BRM Artistic Director Neel Murgai. Come hear afternoon ragas presented at their correct time!
Rabindra Goswami - sitar
Mir Naqibul Islam - tabla

Sitting: In the main room on the floor with back jack support, chairs in the second and third room.
Dress Code: Casual, comfortable (suitable for floor seating); please take off your shoes before entering the studios.
Food and beverage: Only water is allowed inside the studios. Please bring your own supply.

Rabindra Goswami
Rabindra Goswami (sitar, surbahar) has been a professional musician for more than 50 years and is recognized as a senior artist in his musically rich city of Banaras, India. Unlike many Indian classical musicians who have become well known in the West, Goswami plays pure, traditional raga music. Goswami is a disciple of the late Smt. Amiya Devi, and also studied the ancient Dhrupad style with Pandit Ramakant Mishra.
Later in life, he studied the advanced intricacies of raga with the great Dr. Balchandra Patekar of Bombay and Varanasi. Goswami has won a number of national awards in India, and he is an "A level" Artist of All India Radio and Television. He has performed across the globe and was recently a fellow at Yale University's Institute of Sacred Music.

Mir Naqibul Islam
Mir Naqibul Islam is a New York based tabla player from “Farukhabad” gharana. Mir has been trained in the traditional guru-shisya style of Indian Classical music from Pt. Ashoke Paul, disciple of the great tabla guru Pt. Jnan Prakash Ghosh.

Mir presents tabla solo recitals and regularly accompanies vocalists, instrument players and dancers from the Indian tradition. He also performs regularly with musicians from a wide variety of other genres, bringing tabla to Jazz, Chamber Music, Middle-Eastern music, hip hop and other contexts.

He is continuing his talim simultaneously with the great Farukhabad Mastero Pt Anindo Chatterjee and Pt. Ashoke Paul. His style has also been enriched by training with Pt. Gopal Mishra and Pt. Suresh Talwalkar in past as well.

77:Td5c,

Kushal Das - sitar
Samir Chatterjee - tabla

Sitting: Open seating in designated rows.
Dress Code: Casual, comfortable, decent.
Food and beverage: No food and beverage are allowed inside the auditorium.
CHHANDAYAN'S PROGRAMS ARE MADE POSSIBLE BY THE NEW YORK STATE COUNCIL ON THE ARTS WITH THE SUPPORT OF THE OFFICE OF THE GOVERNOR AND THE NEW YORK STATE LEGISLATURE.

Kushal Das

Kushal Das, a north Indian solo sitarist was born to a highly enriched musical family of Kolkata. His grandfather Late Shri Bimal Chandra Das was a renowned Esraj player and his father and uncle are both sitarists of high repute. His father Shri Sailen Das is a disciple of Pt. Lakshman Bhattacharya. Later he became a disciple of Pt. Ravi Shankar. His uncle Shri Santanu Das is a disciple of Late Ustad Ali Akbar Khan.

Kushal started his talim from the age of five under the guidance of his uncle and father. Later He received intensive and rigorous training in advanced sitar techniques and the art of creating music under the affectionate guidance of Prof. Sanjoy Bandopadhyay, a renowned sitar maestro and academician. Kushal is also proud for having the privilege of learning from great musicians like Late Pt. Ajoy Sinha Roy, vocal lessons from Pt. Manas Chakraborty (Kotali Gharana) and Late Pt. Ramkrishna Basu.

With a profound knowledge of music and raga improvisation Kushal is now considered to be one of the foremost torchbearers of the tradition of Indian Classical Instrumental Music. The critics and connoisseurs have acknowledged him as a worthy successor of his idol, the legendary maestro Late Pt. Nikhil Banerjee. His concerts are always marked for their aesthetic appeal and insight with a fine command of technical expertise. With maturity as his forte Kushal has the predominant virtue of Indian heritage and music. An A-rated musician of All India Radio and Television, he is a recipient of Sangeet Visharad from Pracheen Kala Kendra of Chandigarh and Suramani from Sur Singar Samsad of Mumbai.

Kushal has participated in most of the major concert festivals in India. His tours abroad since 1987, which includes USA, Canada, England, Scotland, Germany, France, Sweden, Denmark, Finland, Italy, Holland, Belgium, Switzerland and Bangladesh were marked with outstanding success and audience appreciation.

Samir Chatterjee

Samir Chatterjee is a virtuoso tabla player. He performs and teaches all around the world. He can be heard on numerous recordings as soloist, and with other outstanding musicians from the East and the West. Samir lives in New Jersey and presides over a center for Indian music in midtown Manhattan. Samir teaches at several universities. He performed at the 2007 Nobel Peace Prize Ceremony. He has also performed several times at the UN General Assembly. His compositions and writings are widely acclaimed. Samir played a significant role in the musical revival in Afghanistan. He is the recipient of a few awards such as the Sunshine Award, Jadu Bhatta Award and Acharya Varistha Award.

78:T1333,

Saleena Ram - Vocal
Brandon Ram - Tabla
Aditya Phatak - Vocal
Manav Khurana - Tabla
Srikar Ayyalasomayajula - Harmonium

Sitting: In the main room on the floor with back jack support, chairs in the second and third room.
Dress Code: Casual, comfortable, decent. Please take off your shoes before entering the studios.
Food and beverage: Only water is allowed inside the studios. Please bring your own supply.

Saleena Ram has indulged in the creative arts her entire life. She takes a special interest in studying Hindustani classical music and constantly learns to express herself and her emotions as she continues to explore the world of spirituality and religion.

Saleena is an active, yet humble member of her community, especially in regard to music. Her passion for art and music has led her to be involved in many charity events and she uses her talents to help raise funds and support meaningful causes across her community. She is currently learning under her guru, Sanjoy Banerjee.

Saleena currently holds a Bachelors of Science degree in Psychology, with a minor in Fine Arts. She is currently obtaining her graduate degree as one day she hopes to use her knowledge of music and art to further her career in clinical research and psychotherapy. She advocates for the importance of mental health and strongly encourages the youths of our community to explore self awareness and mindfulness. She hopes to one day make a difference in the world of psychology through music therapy with the use of Indian Classical Music.

Brandon Ram has always been fascinated with Hindustani Classical Music. He started playing from the age of 9 where he learned under his first teacher Pandit Ajay Jha. He later wanted to advance his knowledge and sought out Guruji Pandit Samir Chatterjee, where he now studies under the Farrukhabad Gharana and continues to advance his tabla playing. He is also a full-time student at CUNY Baruch College pursuing a bachelor's degree in Statistics & Data science.

Aditya Phatak is a student of Hindustani vocal music and has been singing for the past 15 years. He received initial training from Smt. Rucha Jambhekar and is now studying under Shri Kiran Lele. When he is not pursuing music, Aditya is a junior at Columbia University studying Applied Mathematics.

Manav Khurana is a young tabla player from the Farrukhabad Gharana. His musical inclination became apparent at an early age, and his parents encouraged him to learn Dholak, Piano, and other instruments. As a teenager, he was initiated into the world of tabla by his dholak Guru, Shri Roger Sookraj. He soon continued his study of tabla under Shri Kumar Raj Gandharva and Sabir Hussain of the Punjab Gharana primarily focusing on the arts of Ghazal, Sufi, and Bhajan accompaniment. Subsequently, he began his serious training with Shri Dibyarka Chatterjee at the age of 14. In 2023 he became an initiated disciple (shishya) of tabla maestro Pandit Samir Chatterjee. Manav has already performed with some notable performers of Indian Classical Music including, Shri Biplap Mukherjee, Pandit Hindol Chattopadhyay, Pandit Sugato Nag, and his Guru Pandit Samir Chatterjee. He has also had the opportunity to perform with fusion ensembles blending Western jazz and rock with Hindustani music. Outside of music, he is currently pursuing his Bachelor's degree in Finance.

Srikar Ayyalasomayajula grew up in central New Jersey and currently lives in Brooklyn. He has learnt Harmonium from Guru Sri Hemant Kulkarni in New Jersey for over ten years. Srikar has performed harmonium solo pieces in a number of concerts and competitions in harmonium growing up, including winning first prize in national competitions conducted by Marathi Vishwa, Academy of Indian Music and Fine Arts, Bharat Sevashram, etc. Apart from solo performances, Srikar has also provided dynamic as energetic Harmonium saath to artists from around the world regularly for over a decade. Srikar was also the Music Chair of Michigan Sahana, the premier Indian Classical Music and Dance Organization at the University of Michigan and had been organizing and performing in their concerts throughout his time at the university. After graduating, Srikar had been continuing to be a part of both classical accompaniment and fusion collaborations across the country. Apart from music, Srikar currently works at Google as a Software Engineer in New York City.

79:T8ff,

Sankrith Ramani - Carnatic vocal,
Tanisha Srivatsa - vocal/violin,
Sanjay Natesan - mridangam

Sitting: In the main room on the floor with back jack support, chairs in the second and third room.
Dress Code: Casual, comfortable, descent. Please take off your shoes before entering the studios.
Food and beverage: Only water is allowed inside the studios. Please bring your own supply.

Sankrith Ramani obtained his first formal exposure to Carnatic music under Smt. Anu Ikriti, followed by 8 years of initial vocal training under Smt. Preetha Narayanaswamy. For the last 7 years, he has been learning in the Trichur Brothers Online School of Music under the guidance of senior faculty Smt. Girija Venkataramani. Furthermore, he has undergone extensive and advanced manodharma training from the Trichur Brothers, Shri Srikrishna Mohan and Shri Raamkumar Mohan, and completed his vocal arangetram. Sankrith is a rising sophomore at Columbia University, intending to pursue a Bachelor of Arts in Biochemistry with a minor in Music. Outside the classroom, he is the Musical Director of Columbia's South Asian fusion acapella group, Sur, and the Events Chair of CU Raaga, Columbia's South Asian classical music organization.

Tanisha Srivatsa is a junior at Barnard College, Columbia University studying Economics. She is originally from the Bay Area, California. Tanisha has been learning Carnatic vocal and violin for the last 14 years and is fortunate to have been under the guidance of Smt. Charumathi Raghuraman for the last 7 years. She is also the president of Raaga, Columbia’s Indian classical music club, and sings for Columbia Sur, the South Asian acapella group.

Sanjay Natesan is currently pursuing advanced training in Mridangam from Kalaimamani Thiruvarur Vaidyanathan. In addition to Mridangam, he is also trained in Carnatic Vocal, carnatic flute and other Indian percussion instruments such as Kanjira and Tabla. Sanjay is a senior at Columbia University pursuing a degree in Computer Science and Economics.

7a:T1326,

Neil Khare - Tabla
Rohan Misra - Sarangi
Shreya Choudhury - Vocal
Srikar Ayyalasomayajula - Harmonium

Sitting: In the main room on the floor with back jack support, chairs in the second and third room.
Dress Code: Casual, comfortable, descent. Please take off your shoes before entering the studios.
Food and beverage: Only water is allowed inside the studios. Please bring your own supply.

Shreya Choudhury has a passion for a variety of musical genres. She started taking training in Indian vocal music from her father Suranjan Bhanja Choudhury and was a former high honors recipient of Hindustani classical vocal music from the Shankar Mahadevan Academy. She has won many recognitions and accolades in various music competitions. In 2017 Shreya published her first recorded album of original Bengali Songs. She is also receiving training from Padma Bhushan Pandit Sajan Mishra-ji.

Shreya also trained rigorously in Western classical piano from Westminster Conservatory. She received her distinction for the Advanced Performer Certificate administered by Trinity College of London. She has received several recognitions for her piano and performed in prestigious places such as Carnegie Hall and in recitals hosted by the New Jersey Music Teachers Association.

Shreya completed her Master of Music degree in Western classical voice performance from Rider University and Bachelor of Music from Rutgers University.

Shreya has performed in numerous events and occasions across US and has started teaching as well.

Neil Khare started learning tabla at the age of 4 from his father Anil Khare, continued his training from Shri Surakshya Deshpande, and currently learns from Dr. Amod Dandawate. He has accompanied artists such as Srimati Gauri Pathare for her USA 2023 tour, Srimati Aarti Anklikar during her workshop presentation, has played on a New York TV Channel, and has received many awards in the Instrumental solo category. He is a recent graduate from Rutgers University and is working full-time in finance in Philly.

Rohan Misra is a young promising musician, specialized in the unique Indian bowed instrument called the Sarangi. As the son and disciple of great Sarangi virtuoso Pandit Ramesh Misra, Rohan has inherited many of his father-Guru’s specialties, including tonal quality and aesthetic approach.

Rohan Started learning the Sarangi (translation: An instrument with a hundred colors) from his father at the age of six. His exposure to music since early childhood attracted him to learn other Indian instruments as well. He has been learning Tabla from the renowned maestro Samir Chatterjee. Rohan is also pursuing his education in western music, particularly focused on the Piano and Clarinet. Coming out of the family of nine generations of Sarangi players, Rohan aspires to be successful as the 10th generation in his lineage. He also wishes to further his musicality by blending certain aspects of western music into his emblem of Indian classical music and emerge with a unique musical expression.

Rohan has performed at the Carnegie Hall, Columbia University, Massachusetts Institute of Technology, The Smithsonian Museum in Washington, D.C., California and North Carolina. He has performed with luminaries such as Pt. Birju Maharaj, Smt. Kumudini Lakhia, Pt. Anindo Chatterjee, Samir Chatterjee, among others. He is on the faculty of Chhandayan Center for Indian Music in New York City.

Srikar Ayyalasomayajula grew up in central New Jersey and currently lives in Brooklyn. He has learnt Harmonium from Guru Sri Hemant Kulkarni in New Jersey for over ten years. Srikar has performed harmonium solo pieces in a number of concerts and competitions in harmonium growing up, including winning first prize in national competitions conducted by Marathi Vishwa, Academy of Indian Music and Fine Arts, Bharat Sevashram, etc. Apart from solo performances, Srikar has also provided dynamic as energetic Harmonium saath to artists from around the world regularly for over a decade. Srikar was also the Music Chair of Michigan Sahana, the premier Indian Classical Music and Dance Organization at the University of Michigan and had been organizing and performing in their concerts throughout his time at the university. After graduating, Srikar had been continuing to be a part of both classical accompaniment and fusion collaborations across the country. Apart from music, Srikar currently works at Google as a Software Engineer in New York City.

7b:T1bdc,

Pramatha Tagore - Sarode
Rohen Bose - tabla

Sitting: In the main room on the floor with back jack support, chairs in the second and third room.
Dress Code: Casual, comfortable, descent. Please take off your shoes before entering the studios.
Food and beverage: Only water is allowed inside the studios. Please bring your own supply.

Pramantha Tagore
Pramantha Tagore’s research and scholarship explore the interplay between music, race, and cultural politics in the long nineteenth century. A prominent emphasis of his work has been on the historical practices of music-making in modern South Asia, in particular, colonial Bengal, and how these practices help shape cultural identities. He is presently a Neubauer Family Foundation Doctoral Fellow at the Department of Music, and holds simultaneous positions as Honorary Fellow and Associate Director of the Centre for Nineteenth Century Studies International (CNCSI) based at Durham University and the International Nineteenth Century Studies Association (INCSA). He is also a Ralph Nicholas South Asia Fellow at the University of Chicago’s International House, and a 2023-24 Elinor Ostrom Fellow at the Mercatus Centre at George Mason University. His previous appointment at the University of Chicago was supported through a generous grant from the Fulbright Foundation via a Nehru-Fulbright Visiting Doctoral Fellowship.

On the musical side, Pramantha is a professional Sarod player trained in the Maihar-Senia style of Hindustani Music. For over two decades, he has received instruction on the Sarod, vocal music, and other instruments from renowned teachers in India through the guru-shishya parampara (master-disciple) system. As a musician, educator, and performer, he has collaborated with artists and ensembles spread across a wide array of genres and music practices, including those from South Asia, Indonesia, the United States, the Middle East, and Australia. Examples of his collaborations include those with the International Academy of Musical Arts (IAMS), the Australian Red Cross, Creative Victoria, Chicago Mehfil, and the Consolato Generale d’Italia, to name a few. He is also empaneled with the Indian Council for Cultural Relations (ICCR) and is an affiliated artiste with All India Radio, the national broadcasting service of India.

Pramantha’s recent publications include “Songs for the Empress: Queen Victoria in the Music History of Colonial Bengal,” Victorian Literature and Culture (Cambridge: Forthcoming); “Pure or Tainted: Representing a Source of Colonial Bengali-English Music in RISM,” Fontis Artis Musicae, 69:3, 229–251 (with Christina Linklater and Emerson Morgan); “Listening Through the Walls: Music-making in the Historic Houses of Rabindranath Tagore,” in Sound Heritage: Making Music Matter in Historic Houses, eds. Jeanice Brooks, Matthew Stephens, Wiebke Thormählen (Routledge, 2021); “From the Private to the Public: Hindustani Raga Music in Colonial Calcutta. 1800-1945,” in Kolkata in Space, Time and Imagination Vol. II, eds. Melitta Waligora and Anuradha Roy (Primus 2020); “The Cultural Evolution of Performance: Representing Shakespeare Through Jazz,” International Journal of Cultural Studies and Social Sciences, 3:6, 144–160. Highlights of his ongoing research have been presented at conferences and invited talks organized by the Society for Ethnomusicology, Fulbright Research Speakers Series, The Bhawanipur Education Society College, Archive of North Indian Classical Music (ANICM, Jadavpur), Nineteenth Century Studies Research Unit (Monash University), and the International Council for Traditions of Music and Dance (ICTM).

Rohen Bose
Rohen Bose inherited the musical trait by birth. Born in the family of legends, his fate brought him under magnanimous pillars of music. His father Pandit Debojyoti Bose; a hallmark of Sarod himself from Senia Bangash Gharana is also a brilliant composer, lyricist and a knowledgeable tabla player. He started his training under his father at a very initial stage of his life. His musical acumen had grown to its par when he started tutelage under his elder uncle Pt. Kumar Bose, the torchbearer of Banaras Gharana and one of the finest and most creative tabla maestros of all time. Pt. Bose has trained him to become his deserved legatee. He has also taken severe training on accompaniment from his younger uncle the legend Acharya Jayanta Bose.

Rohen has been performing with his father and uncles from a very young age. He has accompanied three of them
in many a concert at different cities and states of India. He has also performed solo at distinguished conferences of the
country and accompanied well-established artists of Indian Classical genre. Among the greats, he has performed with
Pandit Tejendra Narayan Majumdar, Pandit Ronu Majumdar, Pandit Kushal Das, Smt. Haimanti Shukla and many more. He has presented music in some of the most renowned conferences such as SAPTAK (Ahmedabad), Uttarpara Sangeet Chakra (Kolkata), Dumdum Classical Music Festival (Dumdum), Gandharva Mahavidyalaya (Pune), Sangeet Mahabharati (Mumbai), West Bengal State Academy Conference (Kolkata), Vishnupur Utsav, Ramkrishna Mission Institute of Culture, Sankat Mochan Sangeet Samaraho (Varanasi) and many more.

As a multi-percussionist, he has also performed with many fusion bands, orchestras and special duo concerts and has played and composed for numerous films. His experimental Band ENCORE received great recognition in the field of world music. Apart from the practical training, he has completed his graduation and masters from the Rabindra Bharati
University, Kolkata under the stream Percussion. He has composed music for several student films in Bengali and
English. He has also made two internationally acclaimed documentaries on his father and elder Uncle Pt. Kumar
Bose. His film ‘The Walk……. In search of the instinct’ on his guru, Pandit Kumar Bose was shown all over the world in various Film Festivals and was chosen as a text in the film studies centre in Colorado.

His paper on ‘The Language of Tabla: A linguistic discourse’, has been recognized by several national and international
international universities. He has spoken about this in several seminars organised by various universities in India. He is apparently an independent scholar and a writer focusing on the relevance of Indian music in the modern world. His paper on USTAD ALLA RAKHA, “Beyond the Syllable- A hundred years of Ustad Alla Rakha” was presented exclusively at INDIA INTERNATIONAL CENTRE, NEW DELHI on the occasion of Khan Sahab’s birth centenary. He also teaches Tabla and various Indian percussions in his academy ‘BOSE FOUNDATION FOR ART AND CULTURE’.

7c:Tdbf,

Shalini Basu - Odissi dance,
Manav Khurana - tabla,
Bhavika Yendapalli - poetry

Sitting: In the main room on the floor with back jack support, chairs in the second and third room.
Dress Code: Casual, comfortable, descent. Please take off your shoes before entering the studios.
Food and beverage: Only water is allowed inside the studios. Please bring your own supply.

Shalini Basu is a disciple of Odissi, which is an Indian classical dance originating in the state of Odisha. Shalini has been under the tutelage of Guru Kaustavi Sarkar since 2012. She is an undergraduate student at Pace University in New York, New York. Born in New Jersey and raised in Ohio, Shalini finds Odissi to be her primary medium in which she connects with her cultural and ethnic background. She has offered solo recitals in Ohio and has worked for her Guru's company regionally, nationally, as well as internationally. Shalini has also been recognized nationally as the first Odissi dancer to be awarded the National YoungArts award for Dance in 2021. She has worked closely as an apprentice to master artists such as Maya Kulkarni. Currently, Shalini is exploring hierarchies within Indian Classical Dance through her academic
thesis.

Manav Khurana

Manav Khurana is a talented young tabla player from the Farrukhabad Gharana. His musical inclination became apparent at an early age, and his parents encouraged him to learn Dholak, Piano, and other instruments. As a teenager, he was initiated into the world of tabla by his dholak Guru, Shri Roger Sookraj. He soon continued his study of tabla under Shri Kumar Raj Gandharva and Sabir Hussain of the Punjab Gharana. Subsequently, he began his serious training with Shri Dibyarka Chatterjee at the age of 14. In 2023 he became an initiated disciple (shishya) of tabla maestro Pandit Samir Chatterjee. Manav has already performed with some notable performers of Indian Classical Music including, Shri Biplap Mukherjee, Pandit Hindol Chattopadhyay, Pandit Sugato Nag, and his Guru Pandit Samir Chatterjee. Outside of music, he is currently pursuing his Bachelors degree in Finance.

BHAVIKA YENDAPALLI
Bhavika Yendapalli studies, works and creates within the intersection of sustainability, culture, and storytelling. Starting off as a hobby to document her friends and artists, her photography has
evolved into a form of documenting threads of community in NYC. As a cultural documentarian, Yendapalli’s subjects range from her NYC community, Indian textile artisans, and her
grandmother. Some of her favorite photo projects include: capturing South Asian taxi drivers for Taxi Driver Doc, immigrant women business owners for a multimedia project called “Lost in Translation”, and her friend’s highlighting process experimenting with traditional Tamil recipes for a group show, “How Do We Play.” Bhavika is a senior at Fordham University studying sustainable business and anthropology. Post-grad, she will document images in dialogue with her
research- amplifying the value of community-based sustainable textile systems in South India from an economic and ethnographic lens. This is her first time performing poetry to an audience,
but the practice has been an outlet for all her childhood.

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Manav Khurana

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