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Anne Howarth is an active chamber musician, orchestral player and teacher in the Boston area. She has a particular passion for chamber music, and she is motivated by music’s ability to connect folks - performers, audience members, composers, and community members - on a human level.

Julia Scott Carey, piano and Thomas Barth, cello, are playing with Anne in this concerts
Biographies
Horn player Anne Howarth has a passion for small group collaborations and the opportunities they offer performers and audience members alike to forge personal connections with the music and with each other. She is deeply curious about the ways in which shared musical experiences can invite deeper dialogue and contemplation.

Anne is a founding member of the mixed-instrumentation chamber group Radius Ensemble and is a senior member of the wind quintet Vento Chiaro. A strong proponent of new music, Anne has commissioned works for chamber ensemble as an individual and with colleagues. As a freelance orchestral player in demand in the greater Boston area, Anne holds Principal Horn chairs with the Lexington Symphony and Plymouth Philharmonic Orchestra and occasionally performs with the Portland Symphony Orchestra, the Hartford Symphony Orchestra, and the Boston Symphony Orchestra, among others. Curious about the intersection between live music and movement, Anne has collaborated with Monkeyhouse and dancer/choreographer Karen Krolak at First Night Boston, the Oberon, and Tufts University.

Anne is a native of the Detroit area, holds undergraduate degrees in both Horn Performance and Environmental Studies from Oberlin Conservatory and Oberlin College respectively, and earned her Master of Music in Performance at New England Conservatory.

Anne teaches horn and coaches chamber music at Boston Conservatory at Berklee, Tufts University and the Boston University Tanglewood Institute (BUTI), maintains a private studio, and is on the on faculties of the New England Conservatory Preparatory School, and the Milton Afterschool Lesson Program.

Thomas Barth: Praised for his “superb phrasing” and “human-like singing” (Boston Musical Intelligencer), cellist Thomas Barth enjoys a varied career as a chamber and orchestral musician on both modern and period instruments. He performs frequently with groups including the Handel and Haydn Society, Glissando Concert Series, Boston Festival Orchestra, A Far Cry, Boston Baroque, The Isabella Ensemble, ChamberQUEER, Pinwheel, and Skylark Vocal Ensemble. As a member of the Juventas New Music Ensemble, he is committed to performing the works of living composers for audiences around the world in an accessible fashion and is a frequent contributor for PARMA Recordings. In 2022, he served as the cellist for the critically acclaimed Broadway revival of ‘1776’ and has played for numerous shows at the American Repertory Theater.

Thomas holds a Master's degree from the New England Conservatory, where he was a recipient of the Gregor Piatagorsky Memorial Scholarship, and completed his undergraduate training at the University of Michigan with additional studies at The Royal Conservatoire of The Hague and Leiden University. He is constantly grateful for his musical mentors (who include Richard Aaron and Lluís Claret among many others) and hopes to share his love of the cello through both performance and teaching. For the past ten years, Thomas has maintained regular yoga and meditation practices and is interested in the connection between mindfulness, music, and movement. He lives in Somerville, MA with his beagle-lab mix, Trevor.

Julia Scott Carey: Julia Scott Carey began her music training at the New England Conservatory Preparatory School, where she received the Lanier Prize for Most Outstanding Graduating Senior. She was one of the first students admitted to the Harvard-New England Conservatory joint degree program, through which she received a master’s degree in composition. She received a second master’s degree in collaborative piano from Boston University.

Julia is the Minister of Music at the Central Square Congregational Church in Bridgewater, where she leads the adult and children’s choirs from the keyboard. She is one of the accompanists for the Tanglewood Festival Chorus and the Boston Symphony Children’s Choir. She also serves as the accompanist for the Metropolitan Chorale of Brookline, the Dedham Choral Society, the Boston College University Chorale, and the Boston Saengerfest Men’s Chorus. She previously served as the pianist for the Handel and Haydn Society’s Educational Vocal Quartet, the Wellesley College Chamber Singers, and the Boston Children’s Chorus. She is also a founder and core ensemble member of Juventas New Music Ensemble.

As a composer, her orchestral works have been performed by numerous orchestras, including the Boston Symphony Orchestra and the Boston Pops, and her works have been broadcast on national TV and radio in the United States and in Russia.

She was the youngest composer ever published by the Theodore Presser Company. She was also chosen to arrange a folk song for Yo-Yo Ma and Lynn Chang to play at Deval Patrick's inaugural ball.

She has served as a music director or accompanist for over forty opera and musical theater productions. Productions for which Julia was the music director include Cy Coleman's City of Angels with the Longwood Players and Alexander Zemlinsky's Der Zwerg with OperaHub. Reviewing a performance Julia conducted of Puccini’s Gianni Schicchi with the Hubbard Hall Opera Company, the Berkshire Hudson Arts Review said “the players and singers were not just led, but were energized. Schicchi is a tough score, and Julia stood the test.”

Also passionate about early music, Julia music directed a staged performance of four of Louis-Nicolas Clérambault’s Cantatas with the Harvard Early Music Society, which was taken on tour to Versailles. She also music directed a performance of John Eccles’ Semele with the same organization. Speaking of her performance as a harpsichordist in the Boston Opera Collaborative’s production of Le nozze di Figaro, the Boston Musical Intelligencer said, “The unwavering harpsichord accompaniment of Julia Carey richly and expressively textured the recitatives.”

Julia currently works as a musicianship teacher and department coordinator at the Suzuki School in Newton. She also taught an undergraduate music theory class at Boston College, served as a keyboard harmony teaching fellow at NEC, and worked as a musical theatre teacher at the Belvoir Terrace Arts Camp and the Boston Children's Theatre.

Julia lives in Winchester with her husband and her daughter. In addition to music, she loves cooking, running, and spending time on Cape Cod.

Sudbury Meetinghouse